| McLassie yarning |
The evening started with yarning about many things until Cherilyn pulled us together and we got down to the book business - although McLassie kept up with the yarning. (Ed note: because Cherilyn is now on the high seas, and I forgot to get a copy of her notes, this background part is a bit dodgy). Susan Choi was born in America, to a Korean father and Jewish mother, and graduated with a Master Fine Arts from Cornell University. She then worked as a fact checker (a vanishing breed) at The New Yorker. Now living in Brooklyn, she teaches creative writing at Johns Hopkins. 'Flashlight' is her fifth book and was shortlisted for the 2025 Booker Prize. (Cherilyn had a lot more interesting info in her notes!). Cherrie recalled hearing an interview with her recently, when she explained the idea for the story came from her memory of a childhood trip to Japan some time ago, when a child went missing. Choi then said she became aware of the North Korean abduction stories some years ago and the two recollections came together to form the basis of the novel. Cherilyn reflected on the symbolism of the flashlight - which had three entries in the book. The first in the opening passages when Serk went missing on the Japanese beach; the second in Louisa's psychologists office when she pockets it; the third when Serk is escaping from North Korea - and Cherilyn astutely observed the beam of a flashlight only illuminates a small part and not the whole. This launched us into the book sending us searching for its light and dark side. We found
- the odd and for some unlikeable characters - Serk, Louisa, Tobias - any others?
- the lovely Walt - certainly not enough written about him
- the way Anne's illness was revealed and its effect
- the dramatic leaps in time leaving some of us catching up
- the final resolution with Serk and Louisa, facilitated by a very 'zen' Tobias
Most readers enjoyed the book, interpreting young Louisa's trauma on the Japanese beach as the reason for her anger. Others (well one) read her as the ninja bitch, when at the age of 40+, with a mother who suffered from MS, who was downtrodden in her marriage with the ascerbic and remote Serk, then lost the one good thing in her life, the lovely Walt, Louisa could have had a more positive and empathetic relationship with her mother. (And that's the polite version!). That same reader thought the writing was quite aggressive, being told how to think and interpret events by the author, rather than coming to your own view. These views weren't embraced by other readers however. All thought the book a good choice and worthwhile read (even the outlier), though some more than others. In the end it was a reflection on the way Korean people were ostracised in Japan - not unlike outsiders elsewhere today.
| McLassie still yarning |
Barb summarised his third novel set in Faha, a fictional village in west Ireland. Tracking the life of young Noe Crowe in tandem with the introduction of electricity in Faha 'This is Happiness' covers memory, love, regret, the emotional cost of change, and facing modernity. Barb thought the book not as engaging as 'Time of the Child', but still worth the read. Readers agreed at least about the last bit - and Cherilyn, who had read 'Time of the Child', agreed with all of it.
The book didn't raise a lot of discussion, so I'm not sure if everyone found Happiness in it. The sentiments were real and readers agreed there was coherence in the story. However, the writing was a bit spasmodic - perhaps unhurried and meditative more than plot driven - and some passages were reflective, although the characters (especially steady Ganga and sharp Doady) were certainly more likeable than most of Susan Choi's creations.
The two books were an interesting pairing, added to by Julie who read and enjoyed Barb's other 'not quite' selection - The Confidence Woman by Sophie Quick.
| Plum cake a la Cherilyn |










